重案组探员阿琳（麦家琪饰）美貌出众，但却冷若冰霜，原因是亲姊阿佩惨死于变态杀手下的惨剧，仍缠绕在她深心处。
　　有“新午夜屠夫”之称的变态杀手最近四出犯案，令少女人人自危；阿琳虽然认定“新午夜屠夫”跟亲姊阿佩的死有莫大关连，但由于调查手法有违纪律而被勒令停职，无法进一步调查。停职期间，阿琳结识了退出影坛的超级明星Tim，二人情投意合，感情一日千里。
　　正当阿琳沉醉于二人世界之中，却不知已逐步堕进“新午夜屠夫”的陷阱当中……

　　二战末期，荷兰的犹太姑娘雷切尔（卡里斯·范·侯登 Carice van Houten 饰）和她家人刚刚逃过死神关口，来不及喘息又遭到德国军船的扫射，只幸存下雷切尔一人。躲避在暗处的雷切尔把叛徒的样子牢牢记在心上，她的一生都为寻找这个人而孤注一掷。
　　她为了隐藏身份，当了一名歌手，然而阴差阳错竟让她开始了另一条人生道路。游击队队长让雷切尔混进德国阵营中，去搭救他被逮捕的儿子。于是，美丽的雷切尔成功俘获了德国军官的心。一切都好像进展顺利，但雷切尔的一个机密任务，却让她陷入了四面楚歌的境况。
　　复仇的决心还在雷切尔心中熊熊燃烧，叛徒还在某个阴暗的角落……

　　In this third installment of the 'Pusher' trilogy, we follow Milo (Zlatko Buric), the drug lord from the two first films. He is aging, he is planning his daughter's 25th birthday and his shipment of heroin turns out to be 10.000 pills of ecstasy. When Milo tries to sell the pills anyway, all Hell breaks loose. (Slavko Labovic).
　　- Written by larsthebellhop@ofir,dk

　　Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".
　　brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.
　　Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'

　　南方小镇，四个平凡的青年相依为命，潦草度日，却意外被卷入了一桩杀人案。他们在一夜狂欢后醉酒醒来，身边竟有一具尸体。在因果未明的情况下，四人为了逃避惩罚匆忙掩埋尸体，而后开始了不顾一切的逃亡。一行人穿越南北，阴差阳错地经历着人心的善恶。随着时间的推移，每个人都生出了不同的心思，四人间的矛盾也逐渐凸显，饱经风霜的他们最终能否得到安宁的归宿？微弱的羁绊是否还能维系着亲情和友情？到底谁才是凶手，害得他们走上这无望的亡命之路？

　　Adela是一名充满同情心的罪犯辩护人，一直坚信人性本善，罪恶的是社会。然而她最近的辩护被告偷了她的车，在车内找到了她乡村别墅的钥匙并计划了一次盗窃。不幸的是丈夫在这次入室盗窃中意外身亡。这让她陷入理想与现实的纠结痛苦中，殊不知噩梦才刚刚开始……

　　Joaquin de Paso’s gritty Mexican coming-of-age story The Hole In The Fence centres on a prestigious private boys’ school in Mexico where youngsters receive a tough physical, moral and religious training designed to turn them into tomorrow’s elite.

　　原本为某消防队执行拍摄任务的女记者安吉拉（曼奴拉·沃拉斯科 Manuela Velasco 饰），却意外在巴塞罗那一幢公寓里遭遇了毕生无法忘怀的恐怖噩梦。最恐怖的经历过后，安吉拉被潜入公寓的特种部队成员救出。当她再度醒来时，发现自己置身在一个陌生所在，接受身份不明的医护人员的检查。另一方面，特种部队成员古兹曼（Paco Manzanedo 饰）和幸存的战友也遭到隔离，他们发现这是一艘漂泊大海中央与世隔绝的油轮，所有与外界的联系全部中断，军方和医护人员掌握着这里的一切。
　　进行着秘密实验的政府人员其任务失败，可怕的丧尸病毒在密闭的空间内肆虐爆发。没有人能够逃离，包括安吉拉在内，所有生者都成为丧尸的狩猎对象……

　　距离上一部故事的若干年后，维杰一家人已经过上了平静的生活，但是杀人的阴影依旧存在。本地警察局的新任局长对于这桩悬案重启了调查，维杰一家岌岌可危。这次，维杰能否再次守护住他的家人？

　　Three illegal drug dealers launched out on a voyage in a homemade submarine. The submarine worked well initially, but it started to malfunction. In attempting to reduce the weight somehow, they were investigating the cargo section when they discovered a young female, Reina, hidden there, and she looked appalling. As the situation gets worse, the tensions among the three men are heightened, and in the midst of this, Reina attempts to escape, but she has nowhere to go in the endless open sea.
　　With an unusual setting of the submarine, where nothing can be seen other than the horizon, Submersible captures the tension of the conflicts between the characters and their struggle for survival, while the submarine environment itself arouses extreme claustrophobia and anxiety. The top star from Columbia, Natalia Reyes, who attracted the worldwide film industry’s attention with Ciro Guerra’s Birds of Passage (2018), and made her Hollywood debut in Terminator: Dark Fate (2019), once again draws attention in her role as Reina. (Jin PARK)

　　楠、仔等五名青年男女利用假期外出度假，他们来到一个地处偏远山区、几乎与世隔绝的小岛别墅，宽敞华丽的大房子以及秀丽原始的自然风光令他们欣喜过望，乐享其中。在此期间，连一向举止言行有些怪异的康树（Chinawut Indracusin 饰）也跟了过来。当然，康树成为男孩们嘲弄戏谑的对象。当地流传着极为恐怖的传说，不过对于寻求刺激的年轻人来说，这才是他们旅行乐趣之所在。他们辗转来到一座气氛阴森诡异的废墟，不顾康树的警告与劝阻，众人径直走了进去，男孩们更将康树锁进黑漆漆的窑洞里。
　　放肆玩乐的次日，楠担心康树的安危，却发现这个从童年时代便曾有过诡异经历的男孩神秘失踪，而恐怖的体验也就此展开……

　　一个四口之家搬进一座政府廉价处理的老房子里之后，揭开了一段隐藏在房子背后的秘密。

　　An eighteen-years-old girl from an upper class family and a middle aged volunteer locked inside a shelter together during a quaratine while outside a viral outbreak turns people into savage, irrational beasts.

　　恐怖分子闯入一对夫妇家中并将妻子劫为人质，在这场紧 张的对峙中，秘密与谎言背后的真相却渐渐浮出了水面。

　　安娜（Anna Griesebach 饰）和斯蒂芬（弗拉基米尔•布尔拉科夫 Vladimir Burlakov 饰）是一对交往多年的小情侣，两人之间的感情十分要好，一天，他们决定返回安娜阔别已久的家乡度假，在那里，安娜见到了久违的前男友贝恩德（本诺•福尔曼Benno Fuehrmann 饰）。
　　如今的贝恩德也已经“名花有主”了，他正在同一位名叫马克（凯•伊沃•保利兹 Kai Ivo Baulitz 饰）的男子享受着他们的同居生活。家乡的一切都改变了，所有的回忆都是去了依凭，这让安娜有些伤感，更糟糕的是，安娜发现，斯蒂芬似乎渐渐的被马克和贝恩德之间的关系所吸引，而随着一个隐藏多年的秘密渐渐浮出水面，安娜和斯蒂芬之间的关系也面临着前所未有的挑战。

　　一名教師必須拋開他個人的創傷，團結他的學校，與一群暴力、被附身的學生為生存而戰。

　　一个实验基地的工作人员突然遭受一伙匪徒的袭击而被抢去了病毒疫苗，虽然军队一路追杀，但无奈病毒却发生了泄露，方圆数百里都遭到污染，只要碰到这种病毒的任何生物都将必死无疑，然后化身为腐烂的丧尸。不幸的是，受感染面积非常大，不仅是附近的村庄，就连大都市也无一幸免。三个大兵和一群游客非常倒霉地赶上了这次事故，无处不在的丧尸群时刻时刻威胁着他们的安全，城市已经沦陷，森林里也充满了死亡的味道，他们似乎已经无处可去。就在他们心灰意冷的情况下，突然出现的军队给他们带来了生的希望。可他们很快发现，那些军人并没有要拯救他们的意思，反而要将他们灭口……   原来军方不惜一切手段想要把这次事件掩盖，包括知情者，但他们没想到波及的范围却是如此广阔……

　　幸福的三口之家，可爱的小女孩亚美却经常对着空气说话，并言称有一个无依无靠的小弟弟跟在身边。她的举止令父母非常担心，而诡异的事件也相继发生。亚美的妈妈小萍是一所高中的老师，她的学生阿波与关儿相恋。青春男女爱火正炽，无所顾忌，终于令关儿不慎怀孕。为了免去负担与压力，关儿最终找到无照女医引产，这也正是他们痛苦的开始。另有一美貌女明星，适值人气下滑，而她又因不负责任的男友不断怀孕，人生渐渐陷入困境。
　　在这些所谓时尚男女的附近，寂寞冷清的寺院内痛苦悲伤的婴灵无助哀号。各人欠债各人还，以杀生换取的幸福终究带着浓浓的血腥……

　　The devil, following in the footsteps of Christ, decides to become flesh and take a stroll around Earth to see how humans have progressed, and have a little fun creating havoc and mayhem in the process.

　　A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
　　Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
　　This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
　　One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
　　- JohnHowardReid, imdb

　　在谋杀老妇，服刑四年后，他被释放，却即刻感到难以抗拒的杀戮冲动。谋杀的哥失败后逃至一座与世隔绝的村屋，那里住着年轻女人，她的生病母亲和弱智兄弟。接下来，他以施虐他们为乐，欲挟为人质，兼念及他的烦扰童年，伴着虐待狂妈妈和祖母...

　　故事发生在1632年的丹麦，一个地处偏远的小镇中正在进行一场残酷的处刑，一个年老的女人因为被指控为巫女，而面临着被活活烧死的悲惨命运。临死前，愤怒的老人设下了诅咒，对于负责行刑的牧师来说，邪恶的诅咒是无法伤害代表了正义的他的，可对于牧师的妻子安妮（Lisbeth Movin 饰）来说，眼前所发生的一切令她永生难忘。
　　自此之后，安妮仿佛变了一个人似的浑浑噩噩。安妮和牧师的婚姻里并没有爱情，牧师英俊的儿子却吸引了安妮的注意，随着时间的发展，两人之间的关系越来越近，最终越过了伦理道德的界限。牧师死了，牧师的母亲愤怒地指控，是安妮的“巫术”害死了自己儿子。按照惯例，安妮被绑上了火刑架，这似曾相识的命运让安妮猛然醒悟，诅咒，也许真的存在。

　　You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer.
　　Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.

　　故事是关于一位理性主义的摩登藏族创业青年丹增，他一心想开出一家尼泊尔最棒的咖啡馆。正当他全力以赴地追求他的梦想时，丹增突然被一些反复出现的诡异恶梦和幻觉纠缠，他的朋友和预言者都警告这是死亡临头的噩兆。
　　得道的先知和古籍建议，只有找到一位空行母才能拯救他的性命，否则将在七日内丧生。丹增将这些预言和建议视做愚蠢的迷信。但无论我们如何地怀疑与鄙视，在死亡威胁的阴影下，尤其是与自己的性命相关时，都是让人抓狂和恐慌的。
　　于是丹增开始歇斯底里地寻找这位「非常特别的女性」，这是一场与自己的偏执和恐惧正面交锋的旅程。